Ravenous Bookshelf

Rating: 3 / 5 stars

I can't say that I was comfortable with the romance component of this book -- which was pretty much all of it. First, there was the weirdness of our Leading Lady (Dice) falling for the Brooding Love Interest (Sin) -- while he happens to be possessing the body of her cousin. Because, you know, he's a ghost and all. Interesting premise, but it mostly played out like this...

DICE: So I am irresistibly attracted to a dead boy who is inhabiting the body of my bodacious blond cousin....sweet! Now I get to indulge my latent homoerotic tendencies while pursing the Boy of My Dreams!

SIN: Um....exorcism NOW, please.

The other problematic aspect of this lovefest is the slight detail that Sin is firmly on the vengeful side of the haunting spectrum. His target? The entire town of Swoon, of course, since the good townsfolk turned all angry mob and lynched him back in the 1700s -whenevers. His only crime? Being a little too friendly with the ladyfolk...and having his newly-pregnant girlfriend end up dead.

Hmm...

This at first seemed to be heading into the troublesome loves-me-or-wants-to-kill-me territory of many teen romances in the supernatural realm -- but I can report at least that Sin never deliberately harms Dice. Pretty much everyone else in the town is fair game, though.

So of course Dice is torn, since she kinda-sorta loves this angry little poltergeist, but she also doesn't really want to see the town go up in flames. Mostly. And of course she has her own reasons for coming to Swoon -- being a native of NYC, a little Connecticut backwater wasn't a natural choice for a getaway.

I liked Dice's snark and almost-brutal honesty, and she handles the tango of Love versus Better Judgment pretty well, but I couldn't really get into the romance with Sin. Mostly because of the above issues, but also because he seemed pretty one-dimensional. I know, maybe I should give the revenge-obsessed ghost a break, but I just didn't see the appeal beyond a tragic backstory and (of course) a smokin' bod.

The supernatural elements had a neat little twist, and the way Sin manipulates peoples' desires to cause their ruin had potential, if not fully realized. And the ending was a nice surprise, which at least steered it out of cliche territory.

But overall, I wouldn't go rushing out for this one. Not a painful read, but not a terribly gripping one either.

Rating: 5 / 5 stars (plus ETERNAL LOVE)

First: why has EVERYONE not read this book? I am aghast and outraged and saddened and deeply shamed.

So this isn't going to be a review so much as a giant incoherent mess of READ THIS NOW PLEASE K?

Because Sunshine is pure awesome. It is the kind of awesome where you are consciously reading slower, dragging your feet so that it can all last longer and getting all panicky and weepy at the sight of dwindling pages to-be-read even as you cannot stop reading.

This is what a vampire-fantasy-YAish novel should be. I would advocate it as the cure for Twilight Madness, but I fear if hardcore Twilight fans read it it would blow their minds.

I hardly even know how to introduce this without babbling on forever -- our heroine is Sunshine, nicknamed not for a sunny disposition but rather her odd affinity for daylight. She is baker at Charlie's Coffeehouse, which is more of a giant family gathering than anything, what with her mother marrying Charlie and her two stepbrothers always stealing the cinnamon rolls and her tattooed-yet-mellow boyfriend Mel working as the cook. But this isn't some idealist fantasy of small town life -- baking is brutal work, getting up at ungodly hours and pounding dough into submission in a blazing kitchen and everyone running like mad and the customers streaming in and out and then oh god the tour buses...

So it's understandable that Sunshine needs a break once in a while. So she drives out to the lake one night -- and the vampires grab her. Dammit.

They give her a cranberry formal dress, and drag her to a grand deserted house in the moonlight, and chain her in the ballroom with another vampire....who is also chained to the wall. But within easy arm's reach.

What the hell?

This will take your assumptions about vampires, about supernatural romance, about pretty much everything in this 'genre' and flip them all sorts of ways. McKinley's worldbuilding is masterly and lush and detailed without turning to overload, and oh would you just read this already?

Please?

You need to read it for Sunshine, most of all -- a cranky, sarcastic, brilliant heroine who thinks of herself as a coward but has more backbone than Rambo in everything that matters. I love how she describes the world, this almost-rambling style that has so much fun with words without showing off, and she's so perceptive that we get to pick up on all the rich nuances of the people and the world around her, too. By the end of the book, I wasn't just in love with Sunshine -- I loved everyone she loved, I loved her work, I loved her entire life and how she was living it. Not even in the wish-I-had-it way (4 am wake up call, no thanks) but just how right it felt for her even in all the complicated mess of it.

Plus? I cannot even say how much I love the human-vampire interaction. FINALLY, we have a Girl-Meets-Otherworldly Creature of Darkness story where the heroine's first reaction isn't "Hot damn!" but "YEAEAACCHH!"
Because, you know, DEAD and EVIL and WRONG and WANTS TO EAT ME equals GET AWAY NOW, not 'Come and get it!'

And our vampire is fantastic too -- Con is not human and so he thinks differently about the world and he's been around for a long time, so we get a character who is truly alien -- not just some angst-ridden Byronic hero with a complexion issue.

And these characters grow through their interactions with each other and the awful, impossible choices they are making and that is also why you will fall in love. Because the Sunshine you meet in the beginning is not the same Sunshine at the end, and you've been with her the whole way and you're changed, too.

I need to stop. Please just read this book. Please. I'll even leave you with a link to an excerpt.

Have fun!

Rating: 4 / 5 stars

WARNING: Contains spoilers for Rampant, the first book in the Awesome Girls Who Are Also Unicorn Hunters series (my title).

Well, Diana Peterfreund certainly doesn't pull her punches. I picked up this book at a signing at ALA where I actually got to meet her (and be all incoherent in her face, yay!), and she invited me to share what I think.

And I'm still not quite sure.

Life continues to be suckily complicated for Astrid Llewelyn, reluctant unicorn hunter, as we find her still with no solution to the conundrum that unicorns are both a) vicious, man-eating monsters and b) magical, wild animals whose habitat has been decimated. Sure, her cousin Phillippa has become a champion of the unicorn-preservation movement, lobbying for endangered species status and a nature preserve and legislation against hunting and trafficking -- but meanwhile, unicorns are still out there killing people. Which means that Astrid has to go out there and kill the unicorns first.

And she's not sure how much longer she can stand it, especially since it's getting easier to sense the unicorns around her, their desperation and hunger and terror as they die...

Meanwhile, Cory is getting mysteriously sick and things are getting horrendously complicated with Giovanni and Gordian Pharmaceuticals menaces in the background and Astrid's chance of a normal life and medical school and her aspirations to help people seem to be slipping further away every day.

Geeze, Louise.

It is a tribute to Astrid as heroine that I felt compelled to stick with her throughout all this horrible mess, even as she screws up and gets lost and hurts people she cares about -- I just couldn't leave her. Because she was doing the best she could and being strong and smart and funny despite it all and let me tell you that is a kickass heroine.

It's awfully risky to have your main character go through the wringer, mostly because as readers we want to identify with our protagonist and no one likes having Life kick the snot out of them. But Life Happens, and props to Diana Peterfreund for developing this story in the way it should happen even if it means a rougher ride.

Lots of more excellent stuff in this book with the tangled mess of being a powerful, strong woman in a world that favors the 'wilting willow' stereotype; dealing with others' expectations while trying to forge your own identity (a note about Astrid's mother: HOLY HELL WOMAN, GET AWAY); struggling between responsibilities and your own desires (if you can even figure out what they are)....I could write a whole different loving review about this stuff right here. Not to mention the Endangered Species/Vicious Killers problem that the unicorns bring in, along with drug development and animal testing and woah....

But I should stop, because it boils down to this: get this book, and read it. It is a wild ride with our fantastic heroine and moments of pure magic, and believe me you don't want to miss out on that.

P.S. If you're wondering (as I did) about all the amazing unicorn-lore, Diana Peterfreund has an awesome page on her site full of Unicorn Research. LOVE.

Rating: 4 / 5 stars.

I've heard about Holly Black in terms of awesomeness before, but I've never really gotten into her modern faeire tale series with Valiant, Tithe, and Ironside. It isn't that I doubted the reviews, but each time I picked up one of her books they failed to really grab me...the timing just felt off.

And then I went to the ALA Annual Conference in DC, and saw the lines for White Cat. I decided enough was enough! No more lollygagging! I would enter the world of Holly Black and not look back!

Oh man.

I was so not prepared for the awesome. First off, White Cat is a con man's story, which means it's full of twists and tricks and glorious lies. Second, this is a world of magic, where certain people -- called workers -- have the ability to curse others by touch alone. There is a ban on 'working,' and the government is eager to have mandatory tests to determine who has this ability (which workers are understandably eager to avoid). So everybody wears gloves, just to be safe. Meanwhile, a lot of workers are drawn into a black market world by their talents, recruited - and someones forced - to work for crime syndicates with their mojo.

The main story centers around Cassel, who seems like a decent guy. Okay, so maybe his mother's in jail for scamming rich guys out of their fortunes (with a little help from her emotional 'working' magic), and his brothers might be sort of working the black market with their talents for luck and broken bones, respectively, but Cassel doesn't have the working talent, so he's not in the family business. Instead, he's going to boarding school, becoming an upright young man and keeping out of trouble...except for that little betting pool he's operating on the side. Oh, and that time he murdered a girl in cold blood.

Um, yeah.

It took me a little while to get into this story, but once I was hooked and the con games got going, well -- I finished this one in a day. And kept making these shocked noises that disturbed my fellow passengers on various transports, because by the end my head was spinning off. I mean, I sort of saw one twist, but then there was another, and then I did not see that coming and oh what? -- so I just had to sit back and enjoy the ride.

As a narrator, Cassel was hard to warm to, especially given his habit of envisioning killing his ex-girlfriend as a sort of litmus test for Evil. (Cassel: Hmm, does the thought of strangling this girl fill me with horror? ....Yes...okay, so, still not evil!). But it was through his interactions with his family -- his crazy, criminal, messed-up family, that I really started to sympathize with him. By three-quarters of the way through the story had really kicked into gear and I was with Cassel to the end, whatever that turned out to be.

I'll stop babbling to avoid spoilers, but I can say now with confidence: Holly Black's reputation of awesome is fully justified. And con games + mobsters + prickly, difficult characters + magic = win.

Rating: 4.5 out of 5 stars.

First, a disclaimer.

I do not like zombies.

I don't enjoy zombie movies, I do not read zombie books, and I generally fail to see the appeal of the shambling dead.

But Grant's book has zombies and bloggers, and that combination was enough to hook me. Her prose, her universe, and most especially her characters' relationships kept me hooked, even though I knew -- I knew! -- according to the Rules of Zombieworld, that This Would Not End Well.

So Georgia Mason and her brother Shaun live in a world that has defeated the common cold, cured cancer...and accidentally unleashed an epidemic of the living dead.

Oops.

Georgia and Shaun grew up with this world, so the constant terror isn't actually new -- and it's fascinating to see how American society has adapted to the constant threat of having one's face chewed off by deceased friends and relatives. Usually this involves hiding indoors and testing your blood a lot.

Georgia and Shaun are constantly outside, instead, because of their jobs -- they are among the elite bloggers in the news/entertainment industry, and their entire lives revolve around drawing the ratings. After the Rising, the main media lost the peoples' trust and respect, largely because of their denialism and reports of Zombies, Pshaw! -- meanwhile, ordinary citizens were blogging about How to Kill That Thing Moaning in Your Yard.

So Georgia and Shaun go gallivanting about, bringing the latest news and thrills to the general populace hiding in their secure compounds, and garnering minor celebrity status in the process. So much status, in fact, that their blogging team is selected to cover the presidential campaign - by accompanying Senator Ryman, candidate for the GOP, on the trail to the convention.

I was fascinated by Grant's take on the media, politics, and everyday life in an atmosphere of constant fear -- even more so because it seemed utterly plausible and strikingly similar to today. But mostly I loved the relationship between Georgia and Shaun. They win the award for Best Sibling Relationship I've read so far -- bickering, bantering, covering each others' backs, and being unabashedly honest about their love and trust in each other.

If I wanted to be really analytical, I could talk about the parallels of zombie virology (Grant has crafted a fascinating model of infection) and the 'viral' spread of information among people with the blogging universe, crowdsourcing and communications advancements...but mostly?

Georgia + Shaun = Love.

This is the first in a series, so be prepared to be left wanting more (alas! for the Rise of the Series has sorely tested my Waiting Skills).

So go out and read Feed. Even if you've never read a zombie book; even if you have an allergy to the ambulatory departed....read this. You won't regret it.

Rating: 4 out of 5 stars.

The second in Marr's dark faery tales, this novel centers around Leslie, a damaged girl who finds herself pursued by yet another faery monarch -- unlike the callous-but-shiny Summer King, however, Leslie has a more menacing suitor.

Well, not exactly suitor. You see, faeries regard mortals as instruments or playthings, to be used and then discarded -- so if you're expecting a story of True Love Converts Evil To Mushy Lovemuffin, think again.

Leslie has suffered horrific trauma at the hands of her own brother, who became mixed up in drug dealers and used her to pay off a debt. Now she is haunted by nightmares and a constant boiling panic; more than anything, she wants to be free of the terror -- she doesn't want to feel anything at all. When she sees the tattoo design in Rabbit's parlor, it calls to her, promising safety from all of her feelings, offering power and control.

She wants it. She's going to get it, etched deep into her skin, a part of her forever.

But she has no idea that Irial, the Dark Faery King, has very specific plans for that tattoo, and the girl who wears it. Plans that will likely lead to her destruction. But another faery, Niall, has suddenly taken notice of Leslie, and finds himself inexplicably driven to protect her - despite his own ugly past.

This was an enjoyable read, and quite surprising in many places -- several times, I thought it was going along one love-triangle route, but the characters kept surprising me. In part, I think this was because the romance element wasn't really driving the plot. Instead, this book was really about self-determination and how the choices we make shape not only our futures but ourselves. You can never go back to who you once were, and each of the characters make choices that are as much about themselves as they are about being - or not being - with others.

It was quite refreshing, actually, after all of the Edward-obsessed-Bella clones that have been running riot through the genre, more concerned about how the boy feels about her than her own sense of self (let alone self-preservation).

And there is a nice element of menace in this series, with ample evidence that these are the nasty, old-school faeries. If Twilight made vampires cuddly, Marr reminds us that her faeries are foreign, compelling, seductive, and above all dangerous.

So kudos! I'd be interested in picking up the third in this series, to follow this intriguing cast of characters some more.

Daeyln wants to die.

No, Daelyn is determined to die.

This isn't just typical woe-is-me teen angst, that wish for the hard stuff to be over, to get out -- of high school, a small town, a boring home...
Daelyn wants out of life. She's tried before, and failed. She is not going to fail again.

Another 'darker' novel that addresses a twisted problem with sensitivity and some creativity, too, By the time you read this doesn't try to manipulate you with any of the obvious tricks. Daelyn's matter of fact, deadpan narration may put you off at first, but I found it increasingly compelling and far more disturbing than any weepy tirade. Daeyln tells you simply how it is, and the awfulness speaks for itself.

Trauma is involved, but it's more than one single, horrible event -- it's a long, grinding torture of ridicule and abuse that is often casually dismissed under the catchall term 'bullying.'

But this goes way beyond the stereotypical 'give me your lunch money.' Peters shows the suffering and agony that can fester in a 'safe' suburbia when you pack a bunch of hormonal teens in small spaces, and then give them IM and facebook so they are never truly out of contact...

There is a bit of manipulative trickery when Daeyln meets Santana, an annoying dork boy who insists on showing her his pet rat and simply will not leave her alone. If you have seen or read any teen coming-of-age tearjerker ever, you will instantly know what's up with Santana. But Peters manages to make this more than the typical device - part of this is Santana himself, who cheerfully acknowledges his own manipulativeness. He's a person, not a life lesson, and so is Daelyn - which is why the story itself resists any easy categorizations.

Excellent in psychological depth, this is another heavy read that is well worth the discomfort of the ugly subject - you'll keep reading because you care about Daelyn, and she may just surprise you in the end.